Sunday, March 16, 2008

Family. A 21st Century Love Poem by Gareth McConnell

Sorry for our intermittent posting, but we've been tied up house hunting!!! A lot of fun, but definitely time consuming!

We stumbled upon Gareth McConnell's work through this week's New York Times Magazine story "When Girls Will Be Boys". Nice portraits! The images below are from his Family series. Great work, also check out his Meditation and Night Flowers series.

"McConnell’s work blend’s matter-of-factness with disarming intensity. Using only natural light, his photographs celebrate the fragile momentary encounter, while transforming it into something memorable and enduring."

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details from Family. A 21st Century Love Poem
© Gareth McConnell

Tuesday, March 4, 2008

Sundance Channel : Lives in Focus

Check out the Sundance Channel's five night photography series featuring films on artists Tina Barney, Tierney Gearon, Helmut Newton, Henri Cartier-Bresson, William Eggleston, and Sam Wagstaff.

Tina Barney : Social Studies
still from Tina Barney : Social Studies directed by Jaci Judelson

Sunday, March 2, 2008

Anna and Bernhard Blume

We came across another husband and wife team that work together, here are two sequences from their Constructive Chaos Series:

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© Anna and Bernhard Blume

"Wife and husband team Anna and Bernhard Blume have been creating artworks collaboratively since the 1970s. Often using themselves as the protagonists, the Blumes have produced numerous suites of staged photographs that create ambiguous narratives.

In Anna and Bernhard Blume’s world, order prevails. She takes her place, complete with decorative dress, in the kitchen, surrounded by plates, cups, and jugs. He, wearing a fine plaid jacket, concerns himself with technical devices. Yet, this selfsame world is also one of complete chaos. The compulsion to play roles cause towers of cups to sway, people to fly around, their faces distorted, and furniture constructions to collapse.

The Blumes focus on the metaphors attached to objects, for the latter are laden down with convention. They explore everyday objects as a symptom of the times – of the age when they were youngsters and of the age in which we all now live. Steeped in the tradition of performance art, this process of questioning also entails relishing a situation in which all is set in flux or even “smashed up”, as Bernhard Blume puts it. This is not to suggest their work is destructive: „Our wish was and is always just to relativize different levels of order.” And the Blumes present this in their very own ironic and sarcastic way.

Anna and Bernhard Blume always devise their picture sequences jointly and always do all the work themselves: from designing the sets and costumes, via taking the shots of each other, through to developing the negatives and producing enlargements. During each of these steps, the artwork is continuously refined, polished, and painted. “We paint with our camera,“ Anna Blume avers, „and this painterly work continues in the lab, too.“ However, their black-and-white photo series do not involve digital manipulation or montage by way of post production. Instead, they really do involve a flying, crashing, and swirling world. In order to take what are in fact quite dangerous photographs, the artists make use of securing ropes, safety nets, mattresses, etc."

Keith

These images were taken in Napa Valley on a job with Apple and Code Magazine while venturing off onto a prohibited vineyard. The grapes were amazing!

We are continuing with our exploration of diptychs, here is another...

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Keith, Napa Valley, CA 2007
© Tribble & Mancenido

While we still prefer the intrigue of who shot which image, we do like seeing the contrasts and emotion shifts between the two and the idea of our viewer walking away with more than one emotion from two images of the same individual taken during the same occurrence.