Thursday, March 29, 2012
Question Bridge
Tuesday, March 27, 2012
AiPad Panel Discussions
© Rineke Dijkstra
10 a.m. | A Conversation with Rineke Dijkstra
This interview with the internationally recognized Dutch artist Rineke Dijkstra will offer a rare opportunity to hear about her inspirations and thoughts before her upcoming retrospective at the Solomon R. Guggenheim Museum in June 2012. The interview will be conducted by Jennifer Blessing, curator of photography, Solomon R. Guggenheim Museum, New York.
12 p.m. | Curator's Choice: Emerging Artists in Photography
Two major exhibitions in New York City during the run of The AIPAD Photography Show New York are of note -- the Whitney Biennial 2012 at the Whitney Museum and Perspectives 2012 at the International Center for Photography. Panelists will include: Sarah Meister, curator, Department of Photography, The Museum of Modern Art; Christopher Phillips, curator, International Center for Photography, New York; and Joshua Chuang, assistant curator, photography, Yale University Art Gallery. The moderator will be Lindsay Pollock, editor in chief, Art in America.
2 p.m. | How to Collect Photographs: What Collectors Need to Know Now
Speakers will include Kenneth Montague, director, Wedge Curatorial Projects, Toronto, and Joseph Baio, collector, New York. The moderator will be Steven Kasher, StevenKasher Gallery.
4 p.m. | A Celebration of Francesca Woodman
Panelists will include Julia Bryan-Wilson, associate professor, art history, University of California, Berkeley; Sloan Keck, a designer and friend of Francesca Woodman; and Elisabeth Subrin, artist, and assistant professor, film and media arts, Temple University, Philadelphia. The moderator will be Robert Klein, Robert Klein Gallery.
6 p.m. | Italian Contemporary Photography
During the run of The AIPAD Photography Show New York, an important exhibition will be on view at Hunter Art Gallery, New York. Peripheral Visions: Italian Photography, 1950s – Present. The moderator will be Sandra Phillips, Senior Curator of Photography at San Francisco Museum of Modern Art. Speakers will include Maria AntonellaPelizzari, exhibition curator and Professor in the History of Photography at Hunter College and the Graduate Center, CUNY; Yancey Richardson, Yancey Richardson Gallery; Julie Saul, Julie Saul Gallery; and Olivo Barbieri, artist.
Sunday, March 25, 2012
Tribble & Mancenido at Aipad
Thursday, March 15, 2012
Monday, March 12, 2012
Gerhard Richter : Painting
Friday, March 9, 2012
Wednesday, March 7, 2012
Josephine Meckseper : Manhattan Oil Project
Manhattan Oil Project by Josephine Meckseper is the second installation at The Last Lot project space, presented by Art Production Fund. In Manhattan Oil Project, Meckseper presents two new monumental kinetic sculptures, each standing 25 feet tall. These full scale sculptures are inspired by mid 20th century oil pumps the artist discovered in Electra, a boarded-up town once famous for being the pump jack capital of Texas. The pump jacks recall the ruins of ghost towns, forgotten monuments of America's decaying industrial past. This pairing of the pump jacks and the Times Square location merges a classic symbol of American oil production and wealth with the center of New York City commercial culture.
The oil pump sculptures formally refer to the large-scale kinetic sculptures of Jean Tinguely, Alexander Calder, and Mark Di Suvero. Although they mirror the forms and materials of the mid-century oil industry, Meckseper locates her work firmly inside the contemporary debate about American business, wealth and consumerism. The pumps are intended as ignition points for critical discussion engaged directly with modern life.
The Last Lot is a generous short-term donation to Art Production Fund from The Shubert Organization, and is part of the Times Square Alliance’s public art program that works to bring cutting-edge art to Times Square. (via)
Tuesday, March 6, 2012
Photography in Flux : Reinventing the Medium
Photography is evolving at an astounding speed. The very definition of pictures—who makes them, and what happens to them—is in a constant state of flux. The discussion will consider how artists and institutions are responding to contemporary pressures. What do the democratization and dematerialization of photography mean to those who make, sell and curate photography? Photography is being redefined by new technology and social media, but what does that mean in terms of photography's history? Is the art world prepared to mediate a discourse on the nature of imaging as it radically metamorphoses?
The talk is being held in connection with Art in America's March issue, devoted for the first time to American photography. Feature articles include coverage of Zoe Strauss's streetwise Philadelphia photography, Robert Adams's cool West Coast vistas, and author Luc Sante's character study of Weegee. (via)